Charles Loring Elliot, Frederic Edwin Church, 1866, oil on canvas, 34 x 27 inches (86.4 x 68.6 cm), New York State Office of Parks, Recreation, and Historic Preservation, Olana State Historic Site, Taconic Region.
Mnuchin Gallery, in collaboration with Michael N. Altman and Christopher Rothko, is pleased to present Church & Rothko: Sublime, a landmark exhibition mounted in a digitized, online experience and available for limited viewings by appointment beginning September 30th and continuing through Saturday, March 13, 2021. Illustrating a lineage of affective color tensions between the Hudson River School landscapes of Frederic Edwin Church (1826-1900) and the Color Field canvases of Mark Rothko (1903-1970), Church & Rothko: Sublime explores the aesthetic force of two American artists who probed the formal boundaries of the sublime.
A preeminent painter in the nineteenth century, Frederic Edwin Church inscribed into his ethereal landscapes the astonishing spirituality inherent in the natural splendor of the Americas. He sought to express the rapture of the sublime in his paintings by reimagining and preserving the picturesque qualities of the natural world, during a time of rapid social change. Whether in the majestic presence of the Catskill mountains or the lush cradles of the South American tropics, Church articulated the sublime in his landscapes though delicately rendered details and divinely conceived expanses.
The evocative power of the sublime was further manifested in the twentieth century in Mark Rothko’s abstract paintings. With a reconceived approach to the sublime following the destruction of the Second World War, Rothko purged from his works all representation and reference to the external world. He translated, instead, the awesome emotional potential at the core of the sublime into transcendent encounters with planes of bold, unburdened pigment. In deceptively simple overlays of gestured and expressive fields of color, Rothko conjures the sublime in physical and visual appeals to unmediated, emotional responses.
Portrait of Mark Rothko. Photo by Bettmann / Contributor / Getty Images. Artwork © 2020 by Kate Rothko Prizel and Christopher Rothko
Although separated by nearly a century and working under vastly different social conditions, Church and Rothko converge within the timeless sublime. Each artist, painting at the vanguards of American art, discovered innovative and compelling formal strategies to imbue the picture plane with psychological and reactive force. Church, with a radiant and atmospheric palette, and Rothko, with strikingly pure hues, both masterfully activate their compositions through intense, visually compelling interplays of color and form. The dynamic aesthetic and conceptual dialogues into which these two artists enter in Church & Rothko: Sublime, speaks to the enduring and resonating legacy of the sublime in American art history.
Church & Rothko: Sublime brings together stunning examples of each artist’s engagement with the sublime at the height of their careers, including by Church, Marine Sunset (The Black Sea) (1881-82), Above the Clouds at Sunrise (1849), Coast Scene, Mount Desert (1852) and Oil Study for Cotopaxi 1861); and by Rothko, No. 1 (1949), Orange, Red, Yellow (1956) and No. 10 (1963). The exhibition will be accompanied by a fully illustrated catalogue authored by Dr. John Wilmerding, the storied art historian, scholar and collector, whose career has transcended time, crossed over a plethora of disciplines, and left an indelible mark on the places he tenured, the volumes of people he mentored, and the art history he penned and articulated. Dr. Wilmerding’s accompanying essay has explored, defined, and made sense of this exhibition in a way only this great man could, and only his deep and combined knowledge of art history and his comprehension of the times in which it played out, made his explanation of this exhibit possible.
Photography by Tom Powel Imaging, Inc.
Reproduction, including downloading of Rothko Artworks is prohibited by copyright laws and international conventions without the express permission of the copyright holder.
Requests for reproduction should be directed to Artists Rights Society (ARS), New York.
Photography by Tom Powel Imaging, Inc.
Reproduction, including downloading of Rothko Artworks is prohibited by copyright laws and international conventions without the express permission of the copyright holder.
Requests for reproduction should be directed to Artists Rights Society (ARS), New York.
Photography by Tom Powel Imaging, Inc.
Reproduction, including downloading of Rothko Artworks is prohibited by copyright laws and international conventions without the express permission of the copyright holder.
Requests for reproduction should be directed to Artists Rights Society (ARS), New York.
Photography by Tom Powel Imaging, Inc.
Reproduction, including downloading of Rothko Artworks is prohibited by copyright laws and international conventions without the express permission of the copyright holder.
Requests for reproduction should be directed to Artists Rights Society (ARS), New York.
Photography by Tom Powel Imaging, Inc.
Reproduction, including downloading of Rothko Artworks is prohibited by copyright laws and international conventions without the express permission of the copyright holder.
Requests for reproduction should be directed to Artists Rights Society (ARS), New York.
Photography by Tom Powel Imaging, Inc.
Reproduction, including downloading of Rothko Artworks is prohibited by copyright laws and international conventions without the express permission of the copyright holder.
Requests for reproduction should be directed to Artists Rights Society (ARS), New York.
Photography by Tom Powel Imaging, Inc.
Reproduction, including downloading of Rothko Artworks is prohibited by copyright laws and international conventions without the express permission of the copyright holder.
Requests for reproduction should be directed to Artists Rights Society (ARS), New York.
Photography by Tom Powel Imaging, Inc.
Reproduction, including downloading of Rothko Artworks is prohibited by copyright laws and international conventions without the express permission of the copyright holder.
Requests for reproduction should be directed to Artists Rights Society (ARS), New York.
Photography by Tom Powel Imaging, Inc.
Reproduction, including downloading of Rothko Artworks is prohibited by copyright laws and international conventions without the express permission of the copyright holder.
Requests for reproduction should be directed to Artists Rights Society (ARS), New York.
Photography by Tom Powel Imaging, Inc.
Reproduction, including downloading of Rothko Artworks is prohibited by copyright laws and international conventions without the express permission of the copyright holder.
Requests for reproduction should be directed to Artists Rights Society (ARS), New York.
Photography by Tom Powel Imaging, Inc.
Reproduction, including downloading of Rothko Artworks is prohibited by copyright laws and international conventions without the express permission of the copyright holder.
Requests for reproduction should be directed to Artists Rights Society (ARS), New York.
Photography by Tom Powel Imaging, Inc.
Reproduction, including downloading of Rothko Artworks is prohibited by copyright laws and international conventions without the express permission of the copyright holder.
Requests for reproduction should be directed to Artists Rights Society (ARS), New York.
Photography by Tom Powel Imaging, Inc.
Reproduction, including downloading of Rothko Artworks is prohibited by copyright laws and international conventions without the express permission of the copyright holder.
Requests for reproduction should be directed to Artists Rights Society (ARS), New York.
Photography by Tom Powel Imaging, Inc.
Reproduction, including downloading of Rothko Artworks is prohibited by copyright laws and international conventions without the express permission of the copyright holder.
Requests for reproduction should be directed to Artists Rights Society (ARS), New York.
Photography by Tom Powel Imaging, Inc.
Reproduction, including downloading of Rothko Artworks is prohibited by copyright laws and international conventions without the express permission of the copyright holder.
Requests for reproduction should be directed to Artists Rights Society (ARS), New York.
Photography by Tom Powel Imaging, Inc.
Reproduction, including downloading of Rothko Artworks is prohibited by copyright laws and international conventions without the express permission of the copyright holder.
Requests for reproduction should be directed to Artists Rights Society (ARS), New York.
Photography by Tom Powel Imaging, Inc.
Reproduction, including downloading of Rothko Artworks is prohibited by copyright laws and international conventions without the express permission of the copyright holder.
Requests for reproduction should be directed to Artists Rights Society (ARS), New York.
Photography by Tom Powel Imaging, Inc.
Reproduction, including downloading of Rothko Artworks is prohibited by copyright laws and international conventions without the express permission of the copyright holder.
Requests for reproduction should be directed to Artists Rights Society (ARS), New York.
Photography by Tom Powel Imaging, Inc.
Reproduction, including downloading of Rothko Artworks is prohibited by copyright laws and international conventions without the express permission of the copyright holder.
Requests for reproduction should be directed to Artists Rights Society (ARS), New York.
Photography by Tom Powel Imaging, Inc.
Reproduction, including downloading of Rothko Artworks is prohibited by copyright laws and international conventions without the express permission of the copyright holder.
Requests for reproduction should be directed to Artists Rights Society (ARS), New York.
Photography by Tom Powel Imaging, Inc.
Reproduction, including downloading of Rothko Artworks is prohibited by copyright laws and international conventions without the express permission of the copyright holder.
Requests for reproduction should be directed to Artists Rights Society (ARS), New York.
Photography by Tom Powel Imaging, Inc.
Reproduction, including downloading of Rothko Artworks is prohibited by copyright laws and international conventions without the express permission of the copyright holder.
Requests for reproduction should be directed to Artists Rights Society (ARS), New York.
Photography by Tom Powel Imaging, Inc.
Reproduction, including downloading of Rothko Artworks is prohibited by copyright laws and international conventions without the express permission of the copyright holder.
Requests for reproduction should be directed to Artists Rights Society (ARS), New York.
Photography by Tom Powel Imaging, Inc.
Reproduction, including downloading of Rothko Artworks is prohibited by copyright laws and international conventions without the express permission of the copyright holder.
Requests for reproduction should be directed to Artists Rights Society (ARS), New York.
Photography by Tom Powel Imaging, Inc.
Reproduction, including downloading of Rothko Artworks is prohibited by copyright laws and international conventions without the express permission of the copyright holder.
Requests for reproduction should be directed to Artists Rights Society (ARS), New York.
Photography by Tom Powel Imaging, Inc.
Reproduction, including downloading of Rothko Artworks is prohibited by copyright laws and international conventions without the express permission of the copyright holder.
Requests for reproduction should be directed to Artists Rights Society (ARS), New York.
Photography by Tom Powel Imaging, Inc.
Reproduction, including downloading of Rothko Artworks is prohibited by copyright laws and international conventions without the express permission of the copyright holder.
Requests for reproduction should be directed to Artists Rights Society (ARS), New York.
Photography by Tom Powel Imaging, Inc.
Reproduction, including downloading of Rothko Artworks is prohibited by copyright laws and international conventions without the express permission of the copyright holder.
Requests for reproduction should be directed to Artists Rights Society (ARS), New York.
Photography by Tom Powel Imaging, Inc.
Reproduction, including downloading of Rothko Artworks is prohibited by copyright laws and international conventions without the express permission of the copyright holder.
Requests for reproduction should be directed to Artists Rights Society (ARS), New York.
Photography by Tom Powel Imaging, Inc.
Reproduction, including downloading of Rothko Artworks is prohibited by copyright laws and international conventions without the express permission of the copyright holder.
Requests for reproduction should be directed to Artists Rights Society (ARS), New York.
Mark Rothko
Untitled
1968
tempera on paper drawing board mounted on canvas
28 5/16 x 21 1/4 inches (71.9 x 54 cm)
© 2020 by Kate Rothko Prizel and Christopher Rothko
Frederic Edwin Church
Marine Sunset (The Black Sea)
1881-1882
oil on canvas
30 1/8 x 42 inches (76.5 x 106.7 cm)
Mark Rothko
Browns and Blacks in Reds
1957
oil on canvas
91 x 60 inches (231.1 x 152.4 cm)
© 1998 by Kate Rothko Prizel and Christopher Rothko
Frederic Edwin Church
New England Lake
1853
oil on canvas
20 x 30 inches (50.8 x 76.2 cm)
Frederic Edwin Church
Scene on the Magdalena
1854
oil on canvas
28 1/4 x 42 inches (71.8 x 106.7 cm)
Mark Rothko
No. 5 (Untitled)
1964
oil on canvas
90 x 69 inches (228.6 x 175.3 cm)
© 1998 by Kate Rothko Prizel and Christopher Rothko
Frederic Edwin Church
In the Tropics
1856
oil on canvas
25 1/4 x 36 1/4 inches (64.1 x 92 cm)
Mark Rothko
Untitled (Brown and Black)
1968
acrylic on paper mounted on board
33 1/4 x 25 3/4 inches (84.5 x 65.4 cm)
© 2020 by Kate Rothko Prizel and Christopher Rothko
Frederic Edwin Church
Sunset on July 26, 1870
1870
oil on paper mounted on artist's board
8 1/4 x 13 inches (21 x 33 inches)
Mark Rothko
Untitled
1960
oil on canvas
92 1/2 x 81 inches (235 x 205.7 cm)
© 1998 by Kate Rothko Prizel and Christopher Rothko
Frederic Edwin Church
Mountainside Downpour
1871
oil on paper laid down on canvas
6 1/2 x 10 inches (16.5 x 25.4 cm)
Frederic Edwin Church
Icebergs and Wreck in Sunset
1860
oil on paperboard mounted on canvas
8 1/4 x 12 1/4 inches (21 x 31.1 cm)
Frederic Edwin Church
Coast Scene, Mount Desert
1852
oil on canvas
20 x 30 inches (50.8 x 76.2 cm)
Frederic Edwin Church
Above the Clouds at Sunrise
1849
oil on canvas
27 1/4 x 40 inches (69.2 x 101.6 cm)
Mark Rothko
No. 10 1963
oil on canvas
69 x 64 inches (175.3 x 162.6 cm)
© 1998 by Kate Rothko Prizel and Christopher Rothko
Frederic Edwin Church
July Sunset
1847
oil on canvas
29 x 40 1/2 inches (73.7 x 102.9 cm)
Frederic Edwin Church
Lake Scene in Mount Desert
1851
oil on canvas
20 11/16 x 30 7/8 inches (52.5 x 78.4 cm)
Frederic Edwin Church
After the Rain Storm
1875
oil on canvas mounted on panel
22 1/2 x 33 1/2 inches (57.2 x 85.1 cm)
Mark Rothko
Orange, Red, Yellow
1956
oil on canvas
79 x 69 inches (200.7 x 175.3 cm)
© 1998 by Kate Rothko Prizel and Christopher Rothko
Frederic Edwin Church
Oil Study for Cotopaxi
1861
oil on canvas
7 1/2 x 12 inches (19.1 x 30.5 cm)
Frederic Edwin Church
North Lake
1847
oil on canvas
12 x 19 inches (30.5 x 48.3 cm)
Frederic Edwin Church
Autumn in the Catskills
1856
oil on canvas
15 x 22 inches (38.1 x 55.9 cm)
Mark Rothko
No. 1
1949
oil on canvas
78 1/4 x 39 5/8 inches (198.8 x 100.6 cm)
© 1998 by Kate Rothko Prizel and Christopher Rothko
Frederic Edwin Church
Sunset
1860
oil on canvas
11 3/4 x 18 3/4 inches (29.8 x 47.6 cm)
Frederic Edwin Church
Syrian Landscape
1873
oil on panel
15 1/2 x 22 1/2 inches (39.4 x 57.2 cm)
Mark Rothko
Untitled
1954
oil on canvas
91 1/8 x 59 1/2 inches (231.5 x 151.1 cm)
© 1998 by Kate Rothko Prizel and Christopher Rothko
Mark Rothko
Untitled
1959
oil on paper mounted on board
30 x 22 inches (76.2 x 55.9 cm)
© 2020 by Kate Rothko Prizel and Christopher Rothko
Mark Rothko
Untitled
1968
tempera on paper drawing board mounted on canvas
28 5/16 x 21 1/4 inches (71.9 x 54 cm)
© 2020 by Kate Rothko Prizel and Christopher Rothko
Frederic Edwin Church
Marine Sunset (The Black Sea)
1881-1882
oil on canvas
30 1/8 x 42 inches (76.5 x 106.7 cm)
Mark Rothko
Browns and Blacks in Reds
1957
oil on canvas
91 x 60 inches (231.1 x 152.4 cm)
© 1998 by Kate Rothko Prizel and Christopher Rothko
Frederic Edwin Church
New England Lake
1853
oil on canvas
20 x 30 inches (50.8 x 76.2 cm)
Frederic Edwin Church
Scene on the Magdalena
1854
oil on canvas
28 1/4 x 42 inches (71.8 x 106.7 cm)
Mark Rothko
No. 5 (Untitled)
1964
oil on canvas
90 x 69 inches (228.6 x 175.3 cm)
© 1998 by Kate Rothko Prizel and Christopher Rothko
Frederic Edwin Church
In the Tropics
1856
oil on canvas
25 1/4 x 36 1/4 inches (64.1 x 92 cm)
Mark Rothko
Untitled (Brown and Black)
1968
acrylic on paper mounted on board
33 1/4 x 25 3/4 inches (84.5 x 65.4 cm)
© 2020 by Kate Rothko Prizel and Christopher Rothko
Frederic Edwin Church
Sunset on July 26, 1870
1870
oil on paper mounted on artist's board
8 1/4 x 13 inches (21 x 33 inches)
Mark Rothko
Untitled
1960
oil on canvas
92 1/2 x 81 inches (235 x 205.7 cm)
© 1998 by Kate Rothko Prizel and Christopher Rothko
Frederic Edwin Church
Mountainside Downpour
1871
oil on paper laid down on canvas
6 1/2 x 10 inches (16.5 x 25.4 cm)
Frederic Edwin Church
Icebergs and Wreck in Sunset
1860
oil on paperboard mounted on canvas
8 1/4 x 12 1/4 inches (21 x 31.1 cm)
Frederic Edwin Church
Coast Scene, Mount Desert
1852
oil on canvas
20 x 30 inches (50.8 x 76.2 cm)
Frederic Edwin Church
Above the Clouds at Sunrise
1849
oil on canvas
27 1/4 x 40 inches (69.2 x 101.6 cm)
Mark Rothko
No. 10 1963
oil on canvas
69 x 64 inches (175.3 x 162.6 cm)
© 1998 by Kate Rothko Prizel and Christopher Rothko
Frederic Edwin Church
July Sunset
1847
oil on canvas
29 x 40 1/2 inches (73.7 x 102.9 cm)
Frederic Edwin Church
Lake Scene in Mount Desert
1851
oil on canvas
20 11/16 x 30 7/8 inches (52.5 x 78.4 cm)
Frederic Edwin Church
After the Rain Storm
1875
oil on canvas mounted on panel
22 1/2 x 33 1/2 inches (57.2 x 85.1 cm)
Mark Rothko
Orange, Red, Yellow
1956
oil on canvas
79 x 69 inches (200.7 x 175.3 cm)
© 1998 by Kate Rothko Prizel and Christopher Rothko
Frederic Edwin Church
Oil Study for Cotopaxi
1861
oil on canvas
7 1/2 x 12 inches (19.1 x 30.5 cm)
Frederic Edwin Church
North Lake
1847
oil on canvas
12 x 19 inches (30.5 x 48.3 cm)
Frederic Edwin Church
Autumn in the Catskills
1856
oil on canvas
15 x 22 inches (38.1 x 55.9 cm)
Mark Rothko
No. 1
1949
oil on canvas
78 1/4 x 39 5/8 inches (198.8 x 100.6 cm)
© 1998 by Kate Rothko Prizel and Christopher Rothko
Frederic Edwin Church
Sunset
1860
oil on canvas
11 3/4 x 18 3/4 inches (29.8 x 47.6 cm)
Frederic Edwin Church
Syrian Landscape
1873
oil on panel
15 1/2 x 22 1/2 inches (39.4 x 57.2 cm)
Mark Rothko
Untitled
1954
oil on canvas
91 1/8 x 59 1/2 inches (231.5 x 151.1 cm)
© 1998 by Kate Rothko Prizel and Christopher Rothko
Mark Rothko
Untitled
1959
oil on paper mounted on board
30 x 22 inches (76.2 x 55.9 cm)
© 2020 by Kate Rothko Prizel and Christopher Rothko
By: Blake Gopnik
I found the show fascinating — but not at all because of the similarity that other critics seem to find between the two artists’ works, or any “sublimity” they share. For me, the show illustrates a really fundamental change that occurred in how pictures were used and viewed in the century that separated the works. With Church, we’re dealing with what I’ll call the “interpretative” model that has governed Western art for almost all its history: A work is about what you bring to it, as you try to winkle meanings out of all its various and very varied parts. It’s about sequential reading: sequential over time, as you look and try on one reading after another, and sequential across space, as you “read” each and every different area on the painting, with their very separate contents.
By Roberta Smith
The world could use a little uplifting sublimity right now, and this astounding two-artist show delivers. It brings together 17 paintings by Frederic Edwin Church (1826-1900), exemplar of the Hudson River School, and 10 canvases by the Abstract Expressionist Mark Rothko (1903-1970). They have been color-coordinated to delirious effect by the art historian Michael N. Altman and Christopher Rothko, Rothko’s son. Church, in particular, has rarely looked so good. Unburdened by representation, Rothko’s suspended blocks of autonomous color accentuate the strangeness of Church’s palette, especially the array of lavenders, pinks and yellows in his skies.