Rory Mitchell reviews Lynne Drexler: The First Decade for Ocula magazine.
Mitchell writes, "There is no doubt that the Virginia-born artist stands up to some of the great abstract painters of the postwar period. Not unlike Joan Mitchell, there is a subtle yet clear debt to artists such as Monet, Derain, and Bonnard, as well as the Pointillists. Drexler's mark-making also draws parallels with the style of her better-known contemporary, Alma Thomas, who was actually the subject of Mnuchin's major exhibition in 2019.
Drexler's paintings exude the atmosphere of the East Coast landscapes, which she inhabited throughout much of her life in Maine."