By: Mary Hrbaek
“Church and Rothko: Sublime,” an exhibition of twenty-seven oil paintings on canvas, brings into focus, in the context of the ‘Sublime,’ the similarities and divergences of two deeply contrasting artists who extended the art of painting to suit their overriding visions, separated by a span of nearly 100 years. Michael Altman Fine Art and Christopher Rothko collaborated with Robert Mnuchin and the Mnuchin team to present this respectful, comprehensive and deeply appreciative journey through the pictorial language of a 19th and a 20th Century master, who succeeded in transmuting their art to the level of the emotional and psychological sublime, through purely visual means. The show adheres to an expanded, unconventional definition of the ‘Sublime,’ which includes not only the sense of the majestic but also its frightening, perilous dark side. There are ten abstract Rothko works and seventeen Frederick Church oil paintings on view.