Mnuchin Gallery, in collaboration with Fergus McCaffrey, is proud to announce our latest exhibition: de Kooning/Shiraga. The exhibition marks the first time these two masters of postwar abstraction will be shown side-by-side, and it will be Mnuchin Gallery’s twelfth de Kooning exhibition and its second Shiraga exhibition. On view from February 15-April 16, 2022, the exhibition will be accompanied by a fully illustrated catalogue authored by esteemed art historian Pepe Karmel, with an additional text penned by Fergus McCaffrey.
The history of postwar abstraction has long centered around discussions of the American movement of Abstract Expressionism. While the innovations made by artists of the New York School, including Willem de Kooning (1904-1997) are well known, a recent turn towards the expansion of the art historical canon has made it plain that the phenomenon of gestural abstraction was not strictly an American framework. Indeed, a further look afield shows that, in the period following World War II, various styles and conceptions of abstraction were quickly pouring out of artists around the world. Willem de Kooning was, of course, one of the leading figures of this charge in America. Kazuo Shiraga (1924-2008) was similarly one of the foremost abstract painters in Japan and a leader of the Gutai movement, achieving wide success in his home country and in Europe.
Although the two occupied preeminent positions in their respective circles, and within postwar abstraction more broadly, they were never formally acquainted with one another. Despite this, a retrospective look at their oeuvres shows two periods of stylistic overlap: the first occurring between 1955 and 1963/64, and the second beginning in the early 1970s. De Kooning/Shiraga takes as its point of departure this second period of commonality, examining how each artist moved out of a period of creative indirection and experimentation towards stunning late periods that, in many ways, act as summations of their historical achievements. The exhibition likewise highlights a period for both artists that have come to encompass some of their most revered works, although they may still be lesser known historically than their earlier phases.
Across both floors of Mnuchin Gallery, the exhibition will present important masterworks by both artists compiled from some of the most notable private collections around the world. Eight works by de Kooning, dating from 1975-1983, and eleven canvases by Kazuo Shiraga from the period of 1973-1997 will be juxtaposed, illustrating the ways in which they organically arrived at some of the same aesthetic considerations and conceptual influences, and the ways in which their practice remains distinctly their own.
By, Katya Kazakina
It’s hard to believe that Mnuchin’s collaboration with Fergus McCaffrey gallery represents the first exhibition solely dedicated to the works of New York’s Abstract Expressionist Willem de Kooning (1904-1997) and Japan’s Gutai master Kazuo Shiraga (1924–2008). The formal affinity between these two artists’ gestural bravado is so striking and visceral, you can’t help but wonder: What took so long? For the lovers of abstract painting, there’s probably no better exhibition in town at the moment. Run, don’t walk to catch it before it closes.
Location: Mnuchin Gallery, 45 East 78th Street, New York
Price: Free
Time: Tuesday–Saturday, 10 am – 5:30 pm
By: Paul Laster
Looking back at four artists who helped shape the contemporary art scene, three shows featuring masters of postwar art are currently on view within a five-block radius on New York’s Upper East Side. Michael Werner Gallery is presenting the pioneering paintings and works on paper of Markus Lüpertz in the sublime solo show “The grace of the twentieth century is rendered visible by the dithyramb I have invented. Paintings from 1963-1976” (through April 23); Mnuchin Gallery has paired colorful abstract canvases by Willem de Kooning and Kasuo Shiraga in the engaging exhibition “De Kooning / Shiraga” (through April 16); and Van Doren Waxter is highlighting Richard Diebenkorn’s figurative and abstract paintings and drawings on paper in its powerful presentation “Works on Paper 1946–1992” (through April 23).